
Group 1 – For Kyu Ranks – Shitei Kata
| Kata Name | # Moves | Kiai Points | Type | Related | Training Points | Meaning |
|---|---|---|---|---|---|---|
| Taikyoku Shodan | 20 | 8, 16 | Shorin | Turning | ||
| Heian Shodan | 21 | 9, 17 | Shorin | Jion | Front stance, posture, timing, basics | Peaceful Mind |
| Heian Nidan | 26 | 11, 26 | Shorin | Bassai Dai | Back stance, reverse hip, combinations | Peaceful Mind |
| Heian Sandan | 20 | 10, 20 | Shorin | Jutte | Horse stance, simultaneous techniques | Peaceful Mind |
| Heian Yondan | 27 | 14, 25 | Shorin | Kanku Dai | Expansion and contraction | Peaceful Mind |
| Heian Godan | 23 | 12, 19 | Shorin | Gankaku | Speed, balance, flexibility, co-ordination | Peaceful Mind |
| Tekki Shodan | 29 | 15, 29 | Shorei | Power | Iron Horse | |
| Bassai Dai | 42 | 19, 42 | Shorin | H-2 | Hip rotation, shifting | Penetrate a fortress |
Group 2 – For Shodan – Tokui Kata
| Kata Name | # Moves | Kiai Points | Type | Related | Training Points | Meaning |
|---|---|---|---|---|---|---|
| Tekki Nidan | 24 | 16, 24 | Shorei | Power | Iron Horse | |
| Tekki Sandan | 36 | 16, 36 | Shorei | Power | Iron Horse | |
| Bassai Dai | 42 | 19, 42 | Shorin | H-2 | Hip rotation, shifting | Penetrate a fortress |
| Kanku Dai | 65 | 15, 64 | Shorin | H-4 | Endurance, multiple attackers | View the Sky |
| Jutte | 24 | 13, 24 | Shorei | H-3 | Defense against bo | Ten Hands |
Group 3 – For Nidan – Tokui Kata
| Kata Name | # Moves | Kiai Points | Type | Related | Training Points | Meaning |
|---|---|---|---|---|---|---|
| Hangetsu | 41 | 11, 40 | Shorei | Breathing, coordination, expansion/contraction | Half Moon | |
| Enpi | 37 | 15, 36 | Shorin | Speed, agility | Flight of the Swallow | |
| Gankaku | 42 | 28, 42 | Shorin | H-5 | Balance | Crane standing on the Rock |
| Jion | 47 | 17, 47 | Shorei | H-1 | Controlled Emotions | Temple |
| Bassai Sho | 27 | 17, 25 | Shorin | To Storm a Fortress |
Group 4 – For Sandan – Tokui Kata
| Kata Name | # Moves | Kiai Points | Type | Related | Training Points | Meaning |
|---|---|---|---|---|---|---|
| Kanku Sho | 47 | 28, 47 | Shorin | View the sky | ||
| Chintei | 33 | 9, 32 | Shorin | Interesting Hands | ||
| Unsu | 48 | 36, 48 | Shorin | Cloud Hands | ||
| Sochin | 40 | 28, 40 | Shorei | Fudo Dachi | ||
| Nijushiho | 33 | 18, 32 | Shorin | Twenty Four Step |
Group 5 – For Yondan – Tokui Kata
| Kata Name | # Moves | Kiai Points | Type | Related | Training Points | Meaning |
|---|---|---|---|---|---|---|
| Gojushiho Dai | 62 | 54, 61 | Shorin | Fifty Four Step | ||
| Gojushiho Sho | 65 | 57, 64 | Shorin | Fifty Four Step | ||
| Meikyo | 33 | 24, 33 | Shorin | Bright Mirror | ||
| Wankan | 24 | 8, 24 | Shorei | King’s Crown | ||
| Jiin | 35 | 11, 35 | Shorei | Temple Ground |
Kata Bunkai

Bunkai, literally meaning “analysis” or “disassembly”, is a term used in Japanese martial arts referring to the application of fighting techniques extracted from the moves of a “form” (kata). Bunkai is usually performed with a partner or a group of partners which execute predefined attacks, and the student performing the kata responds with defences, counterattacks, or other actions, based on a part of the kata. This allows the student in the middle to understand what the movements in kata are meant to accomplish. It may also illustrate how to improve technique by adjusting distances, time moves properly, and adapt a technique depending on the size of an opponent. Some kata have another layer of application that is taught using an Oyo Bunkai. Different practitioners will learn or discover alternative applications, but the bunkai, like the kata, varies based on the style and the teacher. A single kata may be broken into anywhere from a few to a few dozen applications, and the same sequence of kata moves may sometimes be interpreted in different ways resulting in several bunkai. Some martial arts require students to perform bunkai for promotion. Bunkai can be obvious or elusive depending on the technique in question, the moves preceding and following it, and the individual practitioner. There are usually many stages of depth of comprehension of bunkai only reached through the passage of time. The terms toridai and himitsu are used to refer to techniques not readily seen to the casual observer and hidden techniques within kata.